February 2012
27 posts
“Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that ‘my ignorance is just as good as your knowledge.’” ― Isaac Asimov
Feb 26th
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Feb 25th
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Feb 25th
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Feb 25th
Alan Moore on culture and responsibility
“I think our mistake has been thinking, in the 20th and 21st century, of the big cultural providers, like television or Hollywood, as culture. They’re not. They’re commercial entities which may occasionally or accidentally produce culture. But, they’re not culture. We are culture. Just ordinary people, what they do. You’ve only got to look at all sorts of areas around the world at ...
Feb 21st
8 notes
Feb 20th
1 note
Feb 19th
9 notes
Feb 19th
7 notes
Feb 18th
1 note
Feb 18th
119 notes
Feb 18th
7 notes
Feb 18th
3 notes
Alan Moore on nostalgia
“Nostalgia, if handled wrong, can prove to be nothing more than sloppy and mawkish crap. In my opinion, the central appeal of nostalgia is that all this stuff in the past is gone. It’s finished. We’ll never see it again… and this is where the incredible poignance of nostalgia really comes from.” Alan Moore, from his original proposal for Marvelman, reprinted in...
Feb 17th
4 notes
Feb 16th
Feb 16th
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Feb 15th
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Feb 15th
2 notes
Travis “Dr. Monster” Pitts breaks it down for anyone wanting to design movie posters.
Feb 15th
4 notes
Feb 15th
34 notes
Feb 15th
Alan Moore on the Next Big Thing
“There’s a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future,” he says. “All of the genuinely interesting work is being done on the margins, with independent companies,...
Feb 14th
8 notes
Alan Moore's advice to writers
“It is much more exciting and thus creatively energizing if you are attempting something where you are uncertain of its outcome, where you don’t know if it will work or not. And this is only the beginning. Eventually, increasingly confident of your talents to make a workable story out of most anything, you will come to regard being merely unsure of a work’s outcome as far too...
Feb 14th
10 notes
“Nothing is original. Steal from anywhere that resonates with inspiration or...”
– Jim Jarmusch (via megatrip)
Feb 9th
74 notes
Feb 5th
3 notes
Feb 2nd
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“From the audience: Do you actually own Watchmen? Alan Moore: My understanding...”
– Watchmen panel, moderated by Neil Gaiman, at London’s UK Comic Art Convention, September 21, 1986 (as printed in The Comics Journal #116, July, 1987). (via mistahphil)
Feb 1st
161 notes
Watchmen was not work-for-hire.
“At that point, there had never been a comic book collection that had stayed in print for more than a couple of years. Certainly there hadn’t been one that had stayed in print for nearly twenty years. It seemed to us at the time, as if, you know, this seems fair. Once DC aren’t publishing it any more then the rights revert to us; it’s not like we’re doing work for hire, here. We’re sort of signing...
Feb 1st
19 notes
January 2012
34 posts
Jan 30th
6 notes
Jan 28th
Jan 26th
Jan 26th
19 notes
Jan 26th
153 notes
Jan 25th
9 notes
Jan 24th
WatchWatch
The video for Butch Walker and the Black Widows’ “Synthesizers,” in which Matthew McConaughey reprises his role as David Wooderson from “Dazed and Confused.” I like it.
Jan 23rd
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Jan 21st
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Jan 21st
2 notes
Jan 21st
2 notes
Jan 21st
1 note
Jan 21st
Jan 21st
Jan 21st
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Jan 21st
2 notes
Jan 21st
Jan 20th
15 notes
Jan 20th
6 notes
Jan 20th
1 note
Jan 19th
9 notes
Jan 19th
3 notes
Jan 17th