Wonder Woman. Manga Studio sketch.
I always say that when you are young and unsuccessful, you don’t have the money, and if you’re not careful, when you’re old and successful, you don’t have the passion. To be put in either of the two positions is a tragedy. I think one of the toughest times in any man’s life is his twenties, because in your twenties you’re fiercely screaming who you are, but you have only half a notion of who you are. Then as you grow older, you whisper who you are, but people are closer to you, and they listen. By that time, you have half a notion, a quarter of a notion, of who you are. I think the tragedy is when you finally have all the people that you need surrounding you, and you have nothing left to say.
To Alyssa Royse, a sex and relationships blogger, for saying that she hated The Dark Knight: “you are clearly retarded, i hope someone shoots then rapes you.” To Kathy Sierra, a technology writer, for blogging about software, coding, and design: “i hope someone slits your throat and cums down your gob.” To Lindy West, a writer at the women’s website Jezebel, for critiquing a comedian’s rape joke: “I just want to rape her with a traffic cone.” To Rebecca Watson, an atheist commentator, for blogging about sexism in the skeptic community: “If I lived in Boston I’d put a bullet in your brain.” To Catherine Mayer, a journalist at Time magazine, for no particular reason: “A BOMB HAS BEEN PLACED OUTSIDE YOUR HOME. IT WILL GO OFF AT EXACTLY 10:47 PM ON A TIMER AND TRIGGER DESTROYING EVERYTHING.”
Amanda Hess, Pacific Standard. Why Women Aren’t Welcome on the Internet.
Find time. Read this:
But no matter how hard we attempt to ignore it, this type of gendered harassment — and the sheer volume of it — has severe implications for women’s status on the Internet. Threats of rape, death, and stalking can overpower our emotional bandwidth, take up our time, and cost us money through legal fees, online protection services, and missed wages. I’ve spent countless hours over the past four years logging the online activity of one particularly committed cyberstalker, just in case. And as the Internet becomes increasingly central to the human experience, the ability of women to live and work freely online will be shaped, and too often limited, by the technology companies that host these threats, the constellation of local and federal law enforcement officers who investigate them, and the popular commentators who dismiss them—all arenas that remain dominated by men, many of whom have little personal understanding of what women face online every day.
Take, for example, the case of Jessica Valenti, founder of Feministing:
When rape and death threats first started pouring into her inbox, she vacated her apartment for a week, changed her bank accounts, and got a new cell number. When the next wave of threats came, she got in touch with law enforcement officials, who warned her that though the men emailing her were unlikely to follow through on their threats, the level of vitriol indicated that she should be vigilant for a far less identifiable threat: silent “hunters” who lurk behind the tweeting “hollerers.” The FBI advised Valenti to leave her home until the threats blew over, to never walk outside of her apartment alone, and to keep aware of any cars or men who might show up repeatedly outside her door. “It was totally impossible advice,” she says. “You have to be paranoid about everything. You can’t just not be in a public place.”
Along with the psychological, emotional and professional toll such trolling takes, Hess’ article also explores the role technology platforms (could) play in alleviating abuse, law enforcement issues around cyberstalking, the sociology of online and offline spaces and much much more.
THIS IS COOL. The Hangout—a wonderful weekly video podcast from Comicosity—invited D4VE writer Ryan to be a guest on the show. That happened last night, and it was wonderful.
It was streamed live last night, but you can watch the whole show right now through the wonders of computation.
Follow The Comicosity Hangout on twitter for updates.
Chris Samnee designs for the “original” Mlle Marie, from the Checkmate story “La Vie en Sang,” written by myself and erictrautmann.
I had always loved the idea that Mlle. Marie was a legacy character, with a history stretching back to the French Revolution, if not before; that her appearance/service in WWII was only one aspect of the character. I got to chase that down in this arc, at least a little bit, but not nearly as much as I wished I could.
At one point, I had actually written a proposal for a Vertigo Mlle. Marie series that would span the German occupation of France during WWII. The idea was…
…actually, I’m gonna hold onto that for a while longer. Who knows, Geoff Johns may call and ask if I have any ideas for a DC Comics series they could sell to HBO….